{"id":19660,"date":"2022-03-18T08:43:19","date_gmt":"2022-03-18T07:43:19","guid":{"rendered":"https:\/\/www.accademiasilviodamico.it\/?p=19660"},"modified":"2022-03-18T08:43:19","modified_gmt":"2022-03-18T07:43:19","slug":"caryl-churchill-remix","status":"publish","type":"post","link":"https:\/\/www.accademiasilviodamico.it\/en\/caryl-churchill-remix\/","title":{"rendered":"CARYL CHURCHILL REMIX"},"content":{"rendered":"


CARYL<\/span> CHURCHILL<\/span> REMIX<\/span><\/strong>
3<\/span> giorni<\/span> con<\/span> Caryl<\/span> Churchill<\/span><\/strong>
1<\/span>,<\/span> 2<\/span>,<\/span> 3<\/span> aprile<\/span> 2022<\/span><\/strong>
ANGELO<\/span> MAI – <\/span>Roma<\/span><\/p>\n

all\u2019interno<\/span> del<\/span> progetto<\/span>
NON<\/span> NORMALE,<\/span> NON<\/span> RASSICURANTE<\/span>
PROGETTO<\/span> CARYL<\/span> CHURCHILL<\/span>
a<\/span> cura<\/span> di<\/span> Paola<\/span> Bono<\/span> e<\/span> Angelo<\/span> Mai<\/span><\/p>\n


con<\/span> il<\/span> sostegno<\/span> di<\/span> Editoria<\/span> &<\/span> Spettacolo<\/span> –<\/span> SIL<\/span> (Societ\u00e0<\/span> italiana<\/span> delle<\/span> Letterate)<\/span> \u2013<\/span> Teatro<\/span> di<\/span> Roma<\/span>
con<\/span> la<\/span> collaborazione<\/span> di<\/span> Tuba,<\/span> libreria<\/span> delle<\/span> donne,<\/span> bazar<\/span> dei<\/span> desideri<\/span> \u2013<\/span> Olinda<\/span> Onlus<\/span>
dal<\/span> 2015<\/span> hanno<\/span> partecipato<\/span> al<\/span> progetto:<\/span>
Accademia<\/span> degli<\/span> Artefatti<\/span>\u2013<\/span> Bluemotion<\/span>\u2013<\/span> Isola<\/span> teatro<\/span> \u2013<\/span> lacasadargilla<\/span> \u2013<\/span>
Sardegna<\/span> Teatro<\/span> \u2013<\/span>Teatro<\/span> Libero<\/span> Palermo<\/span> \u2013<\/span> Pier<\/span> Paolo<\/span> Sepe<\/span> \u2013<\/span> Teatro<\/span> Out<\/span> Off<\/span> Milano<\/span><\/p>\n

<\/div>\n


Caryl<\/span> Churchill<\/span> Remix<\/span> \u00e8<\/span> un<\/span> fuori<\/span> formato<\/span> della<\/span> durata<\/span> di<\/span> tre<\/span> giorni<\/span> dedicato<\/span> alla<\/span> pi\u00f9<\/span> importante<\/span> dram-<\/span>
maturga<\/span> inglese<\/span> a<\/span> partire<\/span> dai<\/span> suoi<\/span> testi.<\/span> \u00c8<\/span> lezion<\/span>e<\/span> spettacolo,<\/span> tableau<\/span> vivant<\/span> di<\/span> interventi<\/span> critici<\/span> degli<\/span> studiosi<\/span> italiani<\/span>
pi\u00f9<\/span> esperti<\/span> su<\/span> Churchill,<\/span> mises<\/span> en<\/span> espace,<\/span> radiodrammi,<\/span> assemblea<\/span> in<\/span> cui<\/span> il<\/span> pubblico<\/span> entra<\/span> in<\/span> scena.<\/span> A<\/span> cura<\/span> di<\/span> Paola<\/span>
Bono<\/span> con<\/span> Giorgina<\/span> Pi<\/span> e<\/span> Bluemotion,<\/span> Lisa<\/span> Ferlazzo<\/span> Natoli<\/span> e<\/span> lacasa<\/span>dargilla,<\/span> Maria<\/span> Laura<\/span> Bergamaschi,<\/span> Laura<\/span> Caretti,<\/span>
Cristina<\/span> Cavecchi,<\/span> Sara<\/span> De<\/span> Simone,<\/span> Riccardo<\/span> Duranti,<\/span> Marco<\/span> Ghelardi,<\/span> Alessandra<\/span> Pigliaru,<\/span> Sara<\/span> Soncini,<\/span> Marina<\/span>
Vitale<\/span><\/p>\n


PROGRAMMA<\/span><\/strong>
Prologo<\/span><\/strong>
Gioved\u00ec<\/span> 31<\/span> marzo<\/span><\/strong>
Ore<\/span> 18.30<\/span> Presentazione<\/span> di<\/span> Teatro<\/span> VII<\/span> [Guerra<\/span> e<\/span> Pace<\/span> –<\/span>pi\u00e8ce<\/span> per<\/span> Gaza,<\/span> Occhi<\/span> bellissimi,<\/span> Potete<\/span> comprare<\/span>
i<\/span> biglietti,<\/span> Vetro,<\/span> Uccidi,<\/span> Gli<\/span> amici<\/span> di<\/span> Barbabl\u00f9,<\/span> Piccolo<\/span> diavolo,<\/span> E<\/span> se<\/span> se<\/span> solo]<\/span> a<\/span> cura<\/span> di<\/span> Paola<\/span> Bono<\/span> e<\/span>
Marina<\/span> Vitale<\/span> edito<\/span> da<\/span> Editoria&Spettacolo<\/span> presso<\/span> la<\/span> Libreria<\/span> Tuba.<\/span><\/p>\n


Venerd\u00ec<\/span> 1<\/span> aprile<\/span><\/strong>
Ore<\/span> 1<\/span>6<\/span>–<\/span>1<\/span>8<\/span><\/strong>
Il<\/span> materialismo<\/span> fantastico<\/span> di<\/span> Caryl<\/span> Churchill.<\/span><\/strong>
Coordina<\/span> Riccardo<\/span> Duranti,<\/span> interventi<\/span> di<\/span> Sara<\/span> Soncini<\/span> e<\/span> Marina<\/span> Vitale.<\/span>
Dalla<\/span> metamorfica<\/span> Skriker<\/span> (1994),<\/span> spirito<\/span> della<\/span> vendetta<\/span> accompagnato<\/span> nella<\/span> sua<\/span> missione<\/span> da<\/span> una<\/span> molti-<\/span>
tudine<\/span> di<\/span> fate<\/span> e<\/span> folletti<\/span>,<\/span> allo<\/span> struzzo<\/span> alto<\/span> tre<\/span> metri<\/span> di<\/span> L\u2019amore<\/span> del<\/span> cuore<\/span> (1997);<\/span> dal<\/span> cane<\/span> che<\/span> in<\/span> Foresta<\/span> Folle<\/span>
(1990)<\/span> dialoga<\/span> con<\/span> un<\/span> Vampiro<\/span> agli<\/span> animali<\/span> che<\/span> in<\/span> Lontano<\/span> lontano<\/span> (2000)<\/span> partecipano<\/span> a<\/span> una<\/span> folle<\/span> guerra<\/span> di<\/span>
tutti<\/span> e<\/span> tutto<\/span> contro<\/span> tutti<\/span> e<\/span> tutto;<\/span> dagli<\/span> spettri<\/span> di<\/span> sfruttamenti<\/span> passati<\/span> e<\/span> sempre<\/span> ripetuti<\/span> che<\/span> gridano<\/span> la<\/span> loro<\/span>
rabbia<\/span> in<\/span> Fen<\/span> (1983),<\/span> alle<\/span> presenze<\/span> che<\/span> abitano<\/span> le<\/span> Otto<\/span> stanze<\/span> e<\/span> le<\/span> Due<\/span> Notti<\/span> di<\/span> Hotel<\/span> (1997),<\/span> ai<\/span> fant<\/span>asmi<\/span> di<\/span>
futuri<\/span> mai<\/span> avvenuti<\/span> che,<\/span> come<\/span> in<\/span> un<\/span> dickensiano<\/span> Canto<\/span> di<\/span> Natale<\/span> alla<\/span> rovescia,<\/span> in<\/span> E<\/span> se,<\/span> se<\/span> solo<\/span> (2021)<\/span> sentirete<\/span>
dialogare<\/span> con<\/span> i<\/span> rimpianti,<\/span> i<\/span> desideri<\/span> e<\/span> i<\/span> dolori<\/span> di<\/span> chi<\/span> ha<\/span> perso<\/span> la<\/span> persona<\/span> amata:<\/span> i<\/span> lavori<\/span> di<\/span> Churchill<\/span> sono<\/span>
pieni<\/span> di<\/span> esseri<\/span> soprannat<\/span>urali<\/span> \u2013<\/span> ma<\/span> sempre<\/span> nel<\/span> contesto<\/span> di<\/span> una<\/span> continua<\/span> attenzione<\/span> alla<\/span> materialit\u00e0<\/span> delle<\/span>
vite,<\/span> ai<\/span> rapporti<\/span> di<\/span> potere,<\/span> alle<\/span> condizioni<\/span> politiche<\/span> che<\/span> determinano<\/span> l\u2019esistenza<\/span> di<\/span> ogni<\/span> essere<\/span> vivente.<\/span>
Letture<\/span> da<\/span> Lontano<\/span> lontano<\/span>,<\/span> Foresta<\/span> folle<\/span>,<\/span> Fen<\/span>,<\/span> E<\/span> se,<\/span> se<\/span> solo<\/span>,<\/span> a<\/span> c<\/span>ura<\/span> di<\/span> Giorgina<\/span> Pi<\/span> \/Bluemotion.<\/span><\/p>\n

Ore<\/span> 1<\/span>8.30<\/span>–<\/span>20.00<\/span> Assemblea<\/span><\/strong><\/p>\n

Ore<\/span> 20.30<\/span> CC*party*Remix<\/span> –<\/span> dj<\/span> set<\/span> –<\/span> cocktail<\/span> –<\/span> dancefloor<\/span> a<\/span> cura<\/span> di<\/span> Bluemotion<\/span><\/strong><\/p>\n


Sabato<\/span> 2<\/span> aprile<\/span><\/strong>
Ore<\/span> 15<\/span>–<\/span>17<\/span><\/strong>
Vulnerabilit\u00e0:<\/span> della<\/span> natura,<\/span> della<\/span> vecchiaia,<\/span> dell\u2019infanzia<\/span><\/strong>
Coordina<\/span> Laura<\/span> Caretti,<\/span> interventi<\/span> di<\/span> Maria<\/span> Laura<\/span> Bergamaschi<\/span> e<\/span> Maria<\/span> Cristina<\/span> Cavecchi<\/span>
Fin<\/span> da<\/span> Non<\/span> non<\/span> non<\/span> non<\/span> non<\/span> abbastanza<\/span> ossigeno<\/span> (1971),<\/span> passando<\/span> per<\/span> Skriker<\/span> (1994)<\/span> e<\/span> Lontano<\/span> lontano<\/span> (2000)<\/span>
per<\/span> arrivare<\/span> a<\/span> Escaped<\/span> Alone<\/span> (2016),<\/span> \u00e8<\/span> ricorrente<\/span> nei<\/span> lavor<\/span>i<\/span> di<\/span> Churchill<\/span> la<\/span> denuncia<\/span> dei<\/span> guasti<\/span> e<\/span> delle<\/span> di-<\/span>
struzioni<\/span> che<\/span> avidit\u00e0<\/span> e<\/span> mancanza<\/span> di<\/span> preveggenza<\/span> provocano<\/span> nell\u2019ambiente.<\/span> E<\/span> spesso<\/span> si<\/span> ripresenta<\/span> uno<\/span>
sguardo<\/span> di<\/span> comprensione<\/span> e<\/span> com<\/span>–<\/span>passione<\/span> amorosamente<\/span> rivolto,<\/span> sia<\/span> pure<\/span> con<\/span> svariate<\/span> sfaccettature,<\/span> alla<\/span>
fragi<\/span>lit\u00e0<\/span> della<\/span> vecchiaia:<\/span> in<\/span> Caffettiera<\/span> blu<\/span> (1997),<\/span> Andiamo<\/span> (2015),<\/span> di<\/span> nuovo<\/span> Escaped<\/span> Alone<\/span> (2016),<\/span> Piccolo<\/span>
diavolo<\/span> (2019).<\/span> Ma<\/span> soprattutto<\/span> ritorna<\/span> l\u2019attenzione<\/span> verso<\/span> la<\/span> condizione<\/span> dell\u2019infanzia,<\/span> una<\/span> condizione<\/span> so-<\/span>
stanzialmente<\/span> inerme<\/span> e<\/span> per\u00f2<\/span> toccata<\/span> dalle<\/span> scelte<\/span> degli<\/span> adulti,<\/span> che<\/span> decidono<\/span> le<\/span> guerre<\/span> e<\/span> decidono<\/span> cosa<\/span> dire<\/span>
o<\/span> non<\/span> dire,<\/span> se<\/span> e<\/span> quando<\/span> mentire<\/span> \u2013<\/span> L\u2019ospedale<\/span> al<\/span> tempo<\/span> della<\/span> rivoluzione<\/span> (1972),<\/span> Lontano<\/span> lontano<\/span> (2000),<\/span> Sette<\/span>
bambine<\/span> ebree<\/span> (2009),<\/span> Guerra<\/span> e<\/span> pace<\/span>–<\/span> pi\u00e8ce<\/span> per<\/span> Gaza<\/span> (2014);<\/span> che<\/span> possono<\/span> proteggere<\/span> ma<\/span> anche<\/span> esercitare <\/span>coercizione<\/span> e<\/span> violenza,<\/span> mentale<\/span> o<\/span> fisica<\/span> \u2013<\/span> Possesso<\/span> (1972),<\/span> Settimo<\/span> cielo<\/span> (1979),<\/span> Questa<\/span> \u00e8<\/span> una<\/span> sedia<\/span> (1997),<\/span> Vetro<\/span>
(2019).<\/span>
Letture<\/span> da<\/span> Escaped<\/span> Alone<\/span>,<\/span> Vetro<\/span> e<\/span> Questa<\/span> \u00e8<\/span> una<\/span> sedia<\/span>,<\/span> a<\/span> cura<\/span> di<\/span> Giorgina<\/span> Pi<\/span> \/Blu<\/span>emotion.<\/span><\/p>\n

Ore<\/span> 17.30<\/span>–<\/span>19<\/span> Assemblea<\/span><\/strong><\/p>\n

Ore<\/span> 20.30<\/span> Non<\/span> non<\/span> non<\/span> non<\/span> non<\/span> abbastanza<\/span> ossigeno<\/span>,<\/span> ascolto<\/span> del<\/span> radiodramma<\/span> in<\/span> paesaggio<\/span> luminoso.<\/span><\/strong><\/p>\n

NON<\/span> NON<\/span> NON<\/span> NON<\/span> NON<\/span> ABBASTANZA<\/span> OSSIGENO<\/span><\/strong>
di<\/span> Caryl<\/span> Churchill<\/span><\/strong>
traduzione<\/span> di<\/span> Paola<\/span> Bono<\/span>
con<\/span> Marco<\/span> Cavalcoli,<\/span> Sylvia<\/span> De<\/span> Fanti,<\/span> Silvio<\/span> Impegnoso<\/span>
ambiente<\/span> sonoro<\/span> di<\/span> Valerio<\/span> Vigliar<\/span>
allestimento<\/span> luminoso<\/span> Andrea<\/span> Gallo<\/span>
regia<\/span> di<\/span> Giorgina<\/span> Pi<\/span>
produzione<\/span> Angelo<\/span> Mai<\/span> \/<\/span> Bluemotion<\/span>
durata<\/span> 60\u2019<\/span><\/p>\n


Domenica<\/span> 3<\/span> aprile<\/span><\/strong>
Ore<\/span> 15<\/span>–<\/span>17<\/span><\/strong>
Identit\u00e0,<\/span> sesso\/genere\/sessualit\u00e0,<\/span> potere<\/span> e<\/span> violenza<\/span>
Coordina<\/span> Alessandra<\/span> Pigliaru,<\/span> interventi<\/span> di<\/span> Marco<\/span> Ghelardi<\/span> e<\/span> Sara<\/span> De<\/span> Simone.<\/span>
\u00c8<\/span> presente<\/span> in<\/span> moltissimi<\/span> testi<\/span> di<\/span> Churchill<\/span> il<\/span> tema<\/span> dell\u2019identit\u00e0,<\/span> come<\/span> senso<\/span> di<\/span> s\u00e9<\/span> e<\/span> dell\u2019unicit\u00e0<\/span> del<\/span> s\u00e9<\/span> o<\/span>
dolorosa<\/span> mancanza<\/span> di<\/span> tale<\/span> autosignificazione<\/span> \u2013<\/span> si<\/span> pensi<\/span> a<\/span> Gemelli<\/span> iden<\/span>tici<\/span> (1968),<\/span> La<\/span> malattia<\/span> nervosa<\/span> di<\/span> Schreber<\/span>
(1972),<\/span> Un<\/span> bel<\/span> numero<\/span> (2002);<\/span> ma<\/span> anche<\/span> in<\/span> quanto<\/span> interrogazione<\/span> dell\u2019identit\u00e0<\/span> di<\/span> sesso\/genere\/sessualit\u00e0<\/span> \u2013<\/span>
di<\/span> nuovo<\/span> La<\/span> malattia<\/span> nervosa<\/span> di<\/span> Schreber,<\/span> ma<\/span> poi<\/span> anche<\/span> Settimo<\/span> cielo<\/span> (1979)<\/span> e<\/span> Il<\/span> ritorno<\/span> di<\/span> Dioniso<\/span> (198<\/span>6).<\/span> Un<\/span>
tema<\/span> complesso<\/span> che<\/span> variamente<\/span> si<\/span> intreccia<\/span> con<\/span> quelli<\/span> della<\/span> violenza<\/span> e<\/span> del<\/span> potere<\/span> e<\/span> del<\/span> loro<\/span> esercizio<\/span> \u2013<\/span>
potere<\/span> coloniale,<\/span> potere<\/span> patriarcale,<\/span> delle<\/span> istituzioni<\/span> sociali,<\/span> politiche<\/span> e<\/span> religiose:<\/span> come<\/span> in<\/span> L\u2019ospedale<\/span> al<\/span> tempo<\/span>
della<\/span> rivoluzione<\/span> (1972),<\/span> Sp<\/span>lende<\/span> la<\/span> luce<\/span> nel<\/span> Buckinghamshire<\/span> (1976),<\/span> Gatto<\/span> Vinagro<\/span> (1976),<\/span> Porci<\/span> e<\/span> cani<\/span> (2016),<\/span> Gli<\/span>
amici<\/span> di<\/span> Barbabl\u00f9<\/span> (2019),<\/span> oltre<\/span> che<\/span> nel<\/span> gi\u00e0<\/span> citato<\/span> Settimo<\/span> cielo<\/span>.<\/span>
Letture<\/span> da<\/span> Gatto<\/span> Vinagro<\/span> a<\/span> cura<\/span> di<\/span> Marco<\/span> Ghelardi<\/span>
Letture<\/span> da<\/span> Gli<\/span> amici<\/span> di<\/span> Barbabl\u00f9<\/span>,<\/span> a<\/span> cura<\/span> di<\/span> Lisa<\/span> Ferlazzo<\/span> Natoli\/casadargilla<\/span><\/p>\n


Ore<\/span> 17.30<\/span>–<\/span>19<\/span> Assemblea<\/span><\/strong><\/p>\n


Ore<\/span> 20.30<\/span> Studio<\/span> di<\/span> Splende<\/span> la<\/span> luce<\/span> nel<\/span> Buckinghamshire<\/span><\/strong>
Compagnia<\/span> lacasadargilla,<\/span> regia<\/span> di<\/span> Lisa<\/span> Ferlazzo<\/span> Natoli<\/span><\/p>\n


NON<\/span> NORMALE<\/span> NON<\/span> RASSICURANTE<\/span><\/strong>
Il<\/span> progetto<\/span><\/strong>
Dal<\/span> 31<\/span> marzo<\/span> al<\/span> 3<\/span> aprile,<\/span> si<\/span> aggiunge<\/span> un<\/span> ulteriore<\/span> tassello<\/span> al<\/span> progetto<\/span> Non<\/span> normale<\/span> non<\/span> rassicurante<\/span>,<\/span> negli<\/span> spazi<\/span> dell\u2019An-<\/span>
gelo<\/span> Mai,<\/span> che<\/span> ne<\/span> ha<\/span> ospitato<\/span> nel<\/span> 2015<\/span> i<\/span> primi<\/span> passi<\/span> e<\/span> ne<\/span> ha<\/span> ripetutamente<\/span> accolto<\/span> gli<\/span> sviluppi.<\/span> Questo<\/span> progetto<\/span> \u00e8<\/span>
iniziato<\/span> dieci<\/span> anni<\/span> f<\/span>a<\/span> con<\/span> un<\/span> \u201cprologo\u201d<\/span> al<\/span> Teatro<\/span> Valle<\/span> Occupato,<\/span> con<\/span> due<\/span> laboratori<\/span> (condotti<\/span> da<\/span> Paola<\/span> Bono,<\/span>
Marta<\/span> Gilmore<\/span> e<\/span> Alex<\/span> Guerra)<\/span> e<\/span> la<\/span> mise<\/span>–<\/span>en<\/span>–<\/span>espace<\/span> di<\/span> Sette<\/span> bambine<\/span> ebree<\/span> (regia<\/span> di<\/span> Marta<\/span> Gilmore<\/span> \/<\/span> Isola<\/span> Teatro).<\/span> R<\/span>ipreso<\/span>
dal<\/span> 2015,<\/span> ha<\/span> visto<\/span> susseguirsi<\/span> una<\/span> fitta<\/span> serie<\/span> di<\/span> iniziative<\/span> pubbliche<\/span> \u2013<\/span> seminari,<\/span> laboratori,<\/span> letture,<\/span> mises<\/span>–<\/span>en<\/span>–<\/span>espace<\/span>,<\/span>
rappresentazioni<\/span>:<\/span> tra<\/span> cui<\/span> ricordiamo<\/span> Caffettiera<\/span> blu<\/span>,<\/span> Settimo<\/span> cielo<\/span>,<\/span> e<\/span> Non<\/span> non<\/span> non<\/span> non<\/span> non<\/span> abbastanza<\/span> ossigeno<\/span> (regia<\/span> di<\/span>
Giorgina<\/span> Pi<\/span> \/<\/span> Bluemotion)<\/span> e<\/span> L\u2019amore<\/span> del<\/span> cuore<\/span> (regia<\/span> di<\/span> Lisa<\/span> Ferlazzo<\/span> Natoli<\/span> \/<\/span> lacasadargilla).<\/span>
L\u2019opera<\/span> di<\/span> Churchill<\/span> \u00e8<\/span> cos\u00ec<\/span> ricca<\/span> e<\/span> cos\u00ec<\/span> varia<\/span> che<\/span> non<\/span> sono<\/span> bastati<\/span> i<\/span> sette<\/span> volumi<\/span> pubblicati<\/span> da<\/span> Editoria<\/span> &<\/span> Spettacolo<\/span>
a<\/span> presentarla<\/span> nella<\/span> sua<\/span> interezza<\/span> in<\/span> traduzione<\/span> italiana,<\/span> n\u00e9<\/span> potranno<\/span> bastare<\/span> a<\/span> ripercorrerla,<\/span> dall\u20191<\/span> al<\/span> 3<\/span> aprile,<\/span> tre<\/span>
giorni<\/span> di<\/span> interventi<\/span> critici,<\/span> letture<\/span> dai<\/span> suoi<\/span> testi<\/span> e<\/span> discussioni<\/span> di<\/span> approfondimento,<\/span> organizzati<\/span> intorno<\/span> a<\/span> tre<\/span> densi <\/span>nuclei<\/span> tematici<\/span> che<\/span> esplorano<\/span> solo<\/span> parzialmente<\/span> la<\/span> sua<\/span> drammaturgia<\/span> sempre<\/span> innovativa<\/span> e<\/span> sempre<\/span> intenta<\/span> a<\/span> inter-<\/span>
rogare<\/span> il<\/span> presente.<\/span>
Alle<\/span> tre<\/span> sessioni<\/span> pomeridiane<\/span> si<\/span> accompagnano<\/span> tre<\/span> serate<\/span> affidate<\/span> alle<\/span> registe<\/span> e<\/span> ai<\/span> gruppi<\/span> che<\/span> fin<\/span> dall\u2019inizio<\/span> e<\/span> con<\/span>
costanza<\/span> hanno<\/span> sostenuto<\/span> questa<\/span> piccola<\/span> impresa:<\/span> Giorgina<\/span> Pi<\/span> e<\/span> Bluemotion<\/span> e<\/span> Lisa<\/span> Ferlazzo<\/span> Natoli<\/span> e<\/span> lacasadargilla<\/span>.<\/span>
Anche<\/span> in<\/span> questo<\/span> caso<\/span> ci<\/span> sar\u00e0<\/span> una<\/span> sorta<\/span> di<\/span> \u201cprologo\u201d,<\/span> con<\/span> la<\/span> presentazione<\/span> gioved\u00ec<\/span> 31<\/span> marzo,<\/span> presso<\/span> la<\/span> Libreria<\/span>
Tuba,<\/span> di<\/span> Teatro<\/span> VII<\/span>,<\/span> a<\/span> cura<\/span> di<\/span> Paola<\/span> Bono<\/span> e<\/span> Marina<\/span> Vitale,<\/span> che<\/span> raccoglie<\/span> i<\/span> pi\u00f9<\/span> recenti<\/span> testi<\/span> di<\/span> Churchill,<\/span> andati<\/span> in<\/span>
scena<\/span> dal<\/span> 2014<\/span> al<\/span> 2021.<\/span><\/p>\n


p<\/span>er<\/span> info<\/span> e<\/span> prenotazioni<\/span><\/strong>
prenotazioni@angelomai.org<\/span>
ufficio<\/span> stampa<\/span>
ufficiostampa@angelomai.org<\/span>
www.angelomai.org<\/span><\/p>\n


ANGELO<\/span> MAI<\/span><\/strong> Viale<\/span> delle<\/span> Terme<\/span> di<\/span> Caracalla<\/span>,<\/span> 55<\/span> Roma<\/span><\/p>\n


LIBRERIA<\/span> TUBA<\/span><\/strong> Via<\/span> del<\/span> Pigneto,<\/span> 39\/a<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

CARYL CHURCHILL REMIX3 giorni con Caryl Churchill1, 2, 3 aprile 2022ANGELO MAI – Roma all\u2019interno del progettoNON NORMALE, NON RASSICURANTEPROGETTO…<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50,82],"tags":[],"class_list":["post-19660","post","type-post","status-publish","format-standard","hentry","category-dal-mondo-dello-spettacolo","category-spettacoli"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/posts\/19660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/comments?post=19660"}],"version-history":[{"count":1,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/posts\/19660\/revisions"}],"predecessor-version":[{"id":19661,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/posts\/19660\/revisions\/19661"}],"wp:attachment":[{"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/media?parent=19660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/categories?post=19660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.accademiasilviodamico.it\/en\/wp-json\/wp\/v2\/tags?post=19660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}